They had me at the synopsis. I was instantly intrigued by 女王の教室 and it’s implications to education:
Akutsu-sensei accomplished this feat by introducing a test-based rank and privilege system on the first day. The highest scorers on the Monday morning test get their choice of seats and other perks while the two lowest scorers are burdened with all the chores for the week from blackboard and toilet cleaning to serving lunch. When the students protest her system and call it unfair, she tells them to open their eyes. In Japanese society, she lectures, those who work hard or have influence get all the privileges, and the lazy or less affluent end up with the leftovers. She says only six in 100 people can expect to be happy and the elite already have most of the advantages and access to the best medical care. She tells them that, as products of the public school system, they will have to scramble to get anything at all, and most of them will end up as “bonjin” (ordinary people), to whom those on the top will be happy to leave the soldiering and service-sector jobs.
I wonder if I might have been better motivated to excel earlier if my primary school teachers had instituted such a system that directly links performance to lifestyle instead of the diffuse, indirect and somewhat opaque system of ’streaming’ that most 6th graders don’t fully appreciate. One might say that our supposedly ‘unforgiving’ education system in Singapore isn’t nearly unforgiving enough to create an effective feedback mechanism to the most important stakeholder - the student - and create buy-in.
There is some moral ambiguity in the drama series about whether or not it is right for Akutsu-sensei to put her young wards through a gauntlet of social and moral dilemmas, even if they are meant to strengthen their personal development and internalize integrity. It just isn’t very clear whether or not that is the intent, or whether that intent justifies the hell her students are put through. Hell isn’t too far from the mark, as Akutsu-sensei meets most literary parallels to the Devil from the medieval morality plays and later works: she is omniscient (knows all the students’ transgressions), omnipresent (appears everywhere she is needed), omnipotent (at least relative to the 6th graders). Ultimately, the life lessons she teaches are important and meaningful, and she teaches them effectively, though indirectly. On the question of the justness of her methodology, I am undecided as to how much intent should be a factor.
All things considered, Jyoou no Kyoushitsu is probably one of the best J-dramas of 2005, along with Nobuta wo Produce and Byakuyakou. I highly recommend it. For lighter fare, try Hana Yori Dango or Densha Otoko.